Seizing Computers and Obtaining Electronic Evidence in Criminal Essay

Seizing Computers and Obtaining Electronic Evidence in Criminal Investigations - Essay ExampleThe plain view exception indicates that the search warrant holders should hold tight evidence in plain view. No warrant is unavoidable to seize evidence that is in view. However, in computer devices, this is not applicable. Courts have generally held that law enforcers are entitled to search the entire computing device for evidence in the case of a crime. The law enforcers are encouraged to look for entropy in the entire device by reviewing every file in the computer. This is major because of the ease with which files in a computer can be disguise or hidden in different kinds of names and extensions. Assume that the courts in your jurisdiction are considering requiring a judicially approved search protocol forrader a judge will sign a search warrant authorizing a search of any computer device. Computers can be used to finagle evidence and make it difficult for authorities to obtain th e required information to prosecute or find evidence. Even though law enforcers are allowed to hunt out a search warrant if the courts deem it fit to curtail their mandate they would be forced to oblige, but at the risk of losing vital evidence. If courts trim searches of computer devices up to the point when a judicial approval is received, suspects can manipulate their devices and do away with what can be incriminating. However, if the judicial approval is needed before a search warrant, then the law enforcers should be allowed to have the devices in their possession to eliminate the risk of the accused tampering with the evidence.

Manitoba unemployment rate forecast Essay Example | Topics and Well Written Essays - 1000 words - 1

Manitoba un utilisation rate forecast - Essay ExampleBy the year 2010, the provinces preservation experienced a 2.4% product per year. Manitobas economy remained unchanged amid the slowdown in the countrys economy. The province also registered a 2.4% increase in labor income. In addition, the economy has experienced an increase in employment levels due to increased demand for skilled laborers. Consequently, the unemployment levels have gradually reduced over the years. However, there are minimal changes in the unemployment rate in the province since 2010. The province has registered various changes in the overall labor force (Marcil, n.p.).Employment in an economy represents a effect of eligible individuals who are willing to work and can be engaged in full time or part-time labor at customary wage rates. This is because the economy needs human capital where individuals play a part in the manufacture of goods and services for the economy. At this level, the economy experiences fu ll employment where all available labor resources are utilized in an economically efficient way. On the other hand, unemployment is the number of individuals in an economy who are get to and capable to work, but cannot find a job. Therefore, the jobless individuals who are unwilling to work in an economy are not classified in the unemployment category. Unemployment is a key measure of economic health of a region or country. There are three types of unemployment namely frictional, structural, and cyclical unemployment (Kennedy 37). The frictional unemployment is a short-run unemployment resulting from the process of searching for a new employment by individuals. Structural unemployment represents a persistent lack of jobs whenever the incomes in employment markets do not get even up the supply and demand. Finally, cyclic unemployment refers to the short-term unemployment related to the vicissitudes of the market. The unemployment rate determines the levels of unemployment in an ec onomy (Kennedy 37).

Social Control Theory Essay Example | Topics and Well Written Essays - 250 words

Social Control Theory - Essay ExampleMy family was the inaugural group of people that I take up met since my birth and they are the people that I have known the longest.At a young age, being informed of the things around you are one of the things that cannot be instantly achieved as our consciousness as kids are not yet sturdy. It was only around my teens when I have understood the exertion of some social control factors as a child. Only with an earnest amount of consciousness and awareness will someone put one over the reason for previous events. At present, my family still holds the most authority of influence in my character and behavior. I am blessed to have a family who had make it an effort to mold me into the person that I am todayhard working, diligent, and resourceful.In order to improve the different factors of social control, one needs to intend that the family as it is the family that is the influential in terms of controlling the social actions of the individual in society due to the influences of the family members in the early developmental stages of the people in society (The effects of morals, 2010). Activities that can build better family ties prove to be one of the best solutions any community can offer to its members. Starting electropositive influences on the young within families prove to be better for the fact that as we age, logic is gained and the closeness of a mind is more possible as changes in perspective do not happen instantlyespecially if it contradicts to what people have learned at a young

Analysis of drama with critical approaches to literature Essay

Analysis of drama with critical approaches to literature - Essay ExampleIn such cases each political party in the court is totally involved, like the judge who has to pronounce the judgment, the lawyers arguing the case, the accused and his family members, the family members of the other party, the reporters of the print and electronic media etc. An agonizing and tension ridden aviation prevails in the courtroom. In Oedipus the King by Sophocles, Apollo prophesied Oedipus fate and communicated this knowledge by the time of his conception. As such, throughout his life the single-pointed aim of Oedipus was to challenge fate to bring out the prophecy to save his life and in the process he destroyed/killed any unity who tried to obstruct him and finally ended his own life.Sophocles has succeeded in creating such an melody throughout the play in Oedipus the King, that demands total involvement of the viewers. One of the important God-given boons to a human being is the source of disc rimination. On the other hand he is also the owner of his collective destinies. It is the bounden duty of the human being to go on doing actions, without intermission, as per ones choices authorized by the power of discrimination. Once that is done, the outcome may be good, bad or worst. At the same time one is also constantly affected by the choices others make, with whom one has interactions. That was the case with Oedipus and as such he was the victim of the choices made for him by others. This happened right from the womb to the tomb and from the cradle to the grave and as such his actions were controlled by others, in addition to his own doings.Whether Oedipus is a man of swift action or rash action is a matter of conjecture. For good or bad, he is a man of great insight. If his life is compared to a magnificent orchestra, he is also destined to carry a muffled drum along with him. He is a ruler par excellence who does in advance what his subjects need. He has the elements of d evotion and destruction ingrained in his

Music has the power to change lives Essay Example | Topics and Well Written Essays - 1500 words

Music has the power to change lives - Essay ExampleMusic is about universe sensitive to sounds about listening to sounds youve never heard before. These simple sentences speak volumes in terms of a philosophical background for modern music curricula. For being sensitive to sounds read being sensitive to what someone somewhere else in the world is saying through musical sound (Hurworth, 2003). Music surrounds our lives, we hear it on the radio, on television, from our car and home stereos. We come across it in the mellifluous tunes of a classical concert or in the devotional strains of a bhajan, the espousals band, or the reaper in the fields breaking into song to express the joy of life. Even warbling in the bathroom gives us a happy gravel to the day. Since time immemorial, music has infused a spark of the Divine in human beings. Stating the esoteric nature of music, Sufi saint and musician Hazrat Inayat Khan said The true(a) harmony of music comes from the harmony of the soul . That music alone can be called real which comes from the harmony of the soul, its true source, and when it comes from there, it must appeal to all souls (Sokhal, 1998). Many bespeak that music is not a natural kind. Indeed, following a conventional dictionary definition of music - The art of combining sounds of voices or instruments to achieve cup of tea of form and expression of emotion - it would be difficult to do so.

Corporate Social Responsibility Report Essay Example | Topics and Well Written Essays - 1750 words

Corporate Social Responsibility Report - Essay ExampleThe effectiveness of the classical ideal of self-regulation is of particular concern in this paper.The Classical Model of corporate responsibility argues that general interests of society can be met by different organizations, each of which plays a distinct role in the system (Okpara, & Idowu, 2013). The basic role of corporate bodies should, therefore, revolve around economic issues rather than social development. Rahim and Alam (2014) noted that the primary heading of the business entity should be to make the highest amount of profit, which practically propels executives to act in the best interest of their company shareholders, provided their actions are within the law.The basis of this concept is methodological individualism (Crane, & Matten, 2010). The belief implies that the entity is the most important asset in the system. Habisch (2005) noted that such parties pursue ways in which they can best meet their feature intere sts and act logically to increase self-satisfaction. The classical theory requires that if a corporate body X has $10, 000 and it is badly in need of raw materials that would cost half(a) the money to make a product for a period of one month, it would exchange $5,000 for the material. This implies that there are no grounds for the company to spend the wide money on the raw materials when half of the amount would meet the current demand. Such strategy makes the company and its shareholders happy, considering that they would easily access the remainder of the money and reach from the profits made through the reasoned expenditure.According to Blowfield and Murray (2014), the invisible hand of parties working together in an environment where each party stands to gain inversely satisfying exchanges creates the platform for the most sustainable economic system. As such, the classical theory requires that a corporate body that is keen on fulfilling its utilitarian institutional obligat ions to society

Exploration Notes- as Level Drama and Theatre Studies Essay Example for Free

Exploration Notes- as Level Drama and Theatre Studies Essay1) discuss and compare the exploration of characterisation in Metamorphosis by Steven Berkoff and (A hisss House). Draw your deliver practical under(a)standing of the skills apply including use of linguistic process and voice to portray character.In our practical sessions of Modelling Gregor in Metamorphosis, we thought to the highest degree how we would physically see Gregor. To do this, we had to exclusively create the determine of Gregor with our bodies. We all started off thinking about it really literally- How would a mallet look? rather than thinking about how our body founded Gregor and his feelings towards society. We so(prenominal) spread out on our thoughts about Gregor and then tried to empathise with him and think about how we would look if we were in his detail.My finished individual beetle was crouched/curled up on the floor on my side with my head d confess, hidden away- this represented Greg ors vulnerability (a beetle on his clog up is help little and can non move, yet a beetle has a hard shell which protects him I was half and half because with my head d profess, I didnt want to be seen by society and I was sheepish of what I had become however with my front/underside slightly presentationing, I was exposed to society and helpless but because you could see my back/shell, I was half protected by family- I think that throughout the show this would change and I would end up completely on my back because the family does end up abandoning/killing Gregor) , 1 of my arms was in a jerky/ ungainly position and the other was outstretched away from my body- the jerky arm represented Gregor changing and being abnormal and different, the outstretched arm however showed that I was reaching for someone to help and save me from what I was turning into my legs were limp, lifeless and in an awkward shape to show that I was, again, turning into something new and weird but could n ot move and physically get away from it.After we made our individual beetle, we then worked in partners and modelled them into Gregor. I decided to use hold for this (I use a chair). Hana (my model Gregor) stop up being positioned on her side, with her head under the chair and one of her arms reaching out onto it, her legs were crooked and awkward to show that she couldnt move from her pain. After that, we raced our beetles Hana lost.. but this showed that Gregor was in a bang-up position because he ready it difficult to manoeuvre himself and get away from what was happening to him- his movement was limited and awkward when he did so.Hana then modelled me, she had me stood up with my legs wide of the mark open (showing vulnerability) and one of my legs turned in and that knee bent (which looked awkward, abnormal and hard to move), my head was dropped and my stomach was contracted in. She placed my arms out to the sides in awkward positions, which was quite physically demanding as I was holding the position. We then used these positions for a scene of Metamorphosis. The dream scene we incorporated our ideas of how Gregor matt-up and go into this scene. We decided to have a narrator and an actor onstage being Gregor. I tried to capture the essence of Gregors franticness yet vulnerability in the way I directed Hana as Gregor. I did this by changing the speed and dynamics of how she was moving this matched the way I was narrating as I as hearty as changed the tempo, dynamics and pitch of my voice to really capture how Gregors character felt.To create the family we thought about the physical features of a beetle and applied them to the metaphors of the family. We cease up putting Mr Samsa in the middle, seeing as he is the heart of the family we then had Gregor again in the middle with his arms over Mr Samsa almost aspect that he is protecting him and the family with his income but he is still exposed to society and therefore vulnerable. We had Mrs Samsa knelt in front of Gregor and Mr Samsa looking straight forward with a pinhead expression almost as if she hasnt got much to say about the situation and is just disregarding Gregor. Greta was at the really front of the beetle as the antenna, looking out for Gregor and being his sense of feeling. The legs of Gregor were made up of society, but reaching out and away from the beetle and from Gregor.We also (as a practical exercise) held transfer as a whole group and twisted ourselves into a character from the play each this ended up looking abnormal, as the familys situation is and a down of it also looked quite painful but we were as one as a unit, as the family is.In order to characterise Nora in a Dolls House, we used the techniques of Stanislavski because A Dolls House is a much more naturalistic play compared to Metamorphosis. We started with a emphasis exercise in which we lay down on the floor and concentrated only on our breathing and our body contact with the floor. We then got thought about some key words to describe Noras character and tried to focus on each of them individually, letting each emotion overwhelm our bodies. We then were counted down to stand up and walk around the room as Nora, showing her feelings through non- verbal communication. We also created some tableaux of the family in a dolls house. For this we used ocular, aural and spatial techniques.2) Discuss and compare the Visual, Aural and Spatial elements and the use of non-verbal communication techniques to present issues and ideas in both plays studied. Make reference to your practical work.Visual, aural and spatial elements either have an iconic or symbolic reference. Iconic is always visual, for example a prop it is iconic because it is what it is and only serves its primary proceed (e.g. a stool is a stool and is used for sitting on etc.) However a symbolic reference is something that represents something and has a metaphor behind it (e.g. a chair could be symbolic for a particular person).Metamorphosis is an extremely abstract play and the visual, aural and spatial techniques used are very important. The play is commonly set with Gregor at the back on a platform above everyone else, tardily becoming more and more ill-shapen. This is a very visual thing and represents the clippings changing and matters are slowly getting worse and worse for the family. The fact he is higher(prenominal) up than everyone else as well could also symbolise the fact he is hanging over everyones head and is a burden on the family. His height could also represent his military position and the fact he is the cause for everything happening on stage and when he changes, everything else does as well. Another common way of positioning Gregor is to have scaffolding angle up to the back of the stage like thisThis gives perspective it also makes Gregor look further away but because of the angle, you are drawn in, giving a stronger frantic impact on you as an audience member.T he scaffolding itself makes the whole aesthetic of the performance seem more skeletal which Gregor is also slowly becoming. It is also, obviously, very integrated which contradicts how the familys situation is in the play.In the script it says that every prop is mimed other than 3 black stools places equidistantly of each other for the family to use. I think these proxemics show how the family are as a unit and detached from Gregor.In order to explore and interpret this, we created a series of 10 tableaux. In these 10 tableaux, we used visual, aural and spatial elements to show the subtext of the plot- we mainly focussed on the family and how Gregors change affected the family. We used a ladder laid down on its side for scaffolding in which Gregor spent a lot of the time in various awkward ways, becoming more and more deformed and pin down as the tableaux progressed. We thought we should only use the organic sounds from our movement and the ladder for our performance to represent t he tension and how awkward the situation/plot/subtext was. In the changeover of each tableau, we decided to move a chair gradually towards the back of the stage to represent Gregor slowly distancing from his family. One element of these tableaux I was quite chivalrous of was the proxemics of each member of the family compared to Gregor and the ladder/scaffolding.This is said ladder as you can see, there is a divide across it. We used this as a barrier stopping the family from getting to Gregor apart from in one tableau where we broke this barrier and Greta reached out to Gregor through the partition.Gregor was slowly becoming more and more deformed into the corner during the tableaux.Greta reaching over through the barrier to Gregor.Mrs Samsa reaching over to Greta trying to stop her from breaking the barrier. Mr Samsa Back turned to Mrs Samsa and Greta (and obviously Gregor, wanting(p) no part of it) Gregor was slowly becoming more and more deformed into this corner during the tableaux.We also used visual, aural and spatial techniques when studying A Dolls House. unalike Metamorphosis being abstract, A Dolls House is much more realistic than Metamorphosis and therefore uses lots of props which are all in one way or another, symbolic of something and metaphorical. As a crystalise we discussed the characters and props and what they may metaphorically represent* Christmas Tree- The familys relationships falling apart simultaneously with the pine needles falling off the tree. It could also show that looks can be deceiving because of the fact that while this tree is looking beautiful, the family is deteriorating. * Door- granting immunity when Nora leaves. Trouble when she enters from the unknown outside world. * Dr Rank- Society hiding their decay.* Money- Power and all things bad and toxicantous. * Nanny- The calm, security and support of Nora and the children. * Skylark- Nora is just a pretty relation bird with no other scoop than looking beautiful. Al so the fact that a skylark cannot speak words, this is reflected in Nora she is not allowed an opinion or it is not heard. * Stove- The characters always go back to it (especially Nora), this could stand for support and forgiveness, the warmth of friendship and loyalty because it is always there. * Macaroons- Noras deceit.* Lamp- The light of truth. * The Dolls House- Nora is a kept woman, everyones play thingor so they assume. It is actually Nora who plays with and manipulates the characters around her. Again, looks can be deceiving.Another way we explored visual, aural and special elements in A Dolls House was when we studied the Tarantella scene. A tarantella is a traditional Italian folk trip the light fantastic. It gets its name from the venomous spider, the tarantula and it is speculate that when one gets bitten by this spider, the victims needed to engage in a frenzied dance in order to prevent death or disease, using very rhythmical music. Now, in context with A Dolls Ho use, I believe that the reason a Tarantella is danced by Nora is because she is trying to rid herself of the poison from Torvald, Krogstad and maybe even Dr Rank or she could be trying to rid herself from lies shes told as this is her poison. We re-enacted the tarantella scene with the proper script. We played with spatial awareness of characters, use of voice and visual effectuate.Noras movement gets gradually more and more frantic and her speech also more frantic and louder and high pitched. Torvald moves with purpose but in a much more organised and authoritative way compared to Nora he is always nourishing his eyes on her and making convinced(predicate) she does it ALL correctly. Mrs Linde comes in from side stage quite discretely, says her line to Nora then moves slowly and almost mysteriously to a chair in the LDF corner. Dr Rank, playing the piano, cannot keep his eyes off Nora but is fairly wary of Torvalds presence so near him. Nora used a shawl while she was dancing wh ich added to the visual effects and at the end of the dance she threw the shawl on the floor as if her freedom of dance had gone and the poison had come back.We then performed our own interpretive dance for the subtext of the tarantella and the whole play without any script work. We started with Torvald agreeling Nora, almost as a puppeteer- for this we used music box doll music. The music then ran into Kashmir by Bond which starts with quite a distorted wave of sound which we used to show Nora slowly changing and fighting back with Torvald. Throughout the dance, Nora got stronger and less poisoned- instead, the poison was transferring into the other characters.After Nora had kicked Torvald to the floor, Mrs Linde came in and started controlling him alongside Torvald after having liaised with Nora, she became poisoned and slowly deteriorated to the floor. Dr Rank then came into the picture, stepped over Torvald to get to Nora. They danced together until she pushed him away and tra nsferred the poison. Finally, Nora ended up sat down on the floor, looking around almost like a child who had just broken all of her toys. Aurally, there is one very poignant moment in A Dolls House where the door is slammed at the end by Nora. This gives the play a terminal point of closure where Nora has gone and has gone for good. Similarly in Metamorphosis, when the apple is thrown into Gregors back, this is a definitive sound of the end of the main plot.3) prize your understanding of the practitioners studied and their influences on Metamorphosis. Use your interpretation notes to aid this question making reference to the practitioners, playwright, and your own practical exploration.Leslie Steven Berkovitch, better known as Steven Berkoff, was born(p) on the 3rd August 1937 to Russian Jews. He came from a poor family and because of their descent he never fitted in as a child and found it hard to be a part of a group of friends. Growing up in the East End of London is a gritty , tough time for most people let alone someone of the likes of Berkoff. He was a badly behaved child and got kicked out of school a lot. You could argue he was the real East Ender until he then move to New York- he lived in a 1 turn inroom flat, shared with 3 other families (who were also outsiders in New York). Wherever he travelled, he could never fit in and never found anywhere to call home. He grew up to resent his family and moved back to London at age 13. As an outsider, a Russian Jew living in London, he wanted to be a gangster.He was in a stage of identity crisis where didnt know where to belong and after being so badly influenced and behaved, he ended up in a young offenders prison which obviously made him extremely angry After this, he changed his name to Berkoff because he didnt want to be seen as a Jew or associated with his roots. He brought a whole new movement to British playwriting in British society. These plays he wrote commented on equality and people- they wer e often based in the home. When he came out of prison, he decided to go over to Europe and learn the skill of tailoring like his father had done. During his stay, he was given the discussion Metamorphosis by Franz Kafka. When he read this, he could instantly make chargeions between himself and Gregor. After this, he went back to the East End and started writing plays.Unlike his fellow playwrights John Osbourne and Edward Bond, he believed drama should still be abstract. Berkoff was influenced by Greek theatre he was a Megalomaniac of theatre styles who loved over blowup and the use of masks to rid people of their identity. He loved the use of chorus (voices together) and poetic verse because it takes things out of context. I was inspired by Brecht and his political (borderline social) take on drama and the use of gestus and satire. He also like Artaud and his theatre of cruelty and the way he used the senses and sounds to put over metaphorical messages. He then travelled to Franc e and worked under Lecoq who was a mime artiste and physical theatre worker and trained with him until he decided to move back to London. When he got back to London, he built up his manifesto of theatre.TOTAL THEATRE. Total theatre Greek theatre (chorus, unison, exaggeration), theatre of cruelty (loud sounds, harsh, gritty images and metaphors) and epic theatre (Brecht- teaches a message, gestus, stereotypes, alienation). Berkoff moulded all these ideas together and created his characters as comic and caricatures. Using the whole of the body was very important to him as he was an extremely physical director, well exhibit with the character of Gregor in Metamorphosis. As a practitioner, Berkoff also wrote plays as well as acted and directed. He liked using lots of language and words (almost Shakespearian). He was extremely articulate and using beautiful language he talked about the gritty East End and reality of life. To put Berkoffs views into practice, we had to pretend to be in l ove with a chair. We exaggerated our love and feelings and the chair was like a metaphor for our lover.We then had to flip our mood and become angry with the chair it got us all to think how people would stereotypically act with someone you loved and then hated. We also had to pretend we were at a picnic on our own, slowly becoming more and more exaggerated with our eating and drinking, and gradually more grotesque. It really got us to focus into it and get into it, so when it was time to fake poor devil, I actually felt physically sick We also practiced slow motion. This was very physically demanding, like how Steven Berkoff would have directed. It was very important to control your movements but not forget that when you sped up the movements, they should look exactly the same as the slow ones.4) Evaluate your understanding of the practitioner studied and his influence on A Dolls House. Use your interpretation notes to aid this question making reference to the practitioners, playwr ight, and your own practical exploration.Henrik Ibsen was born in Norway in 1828 and died in 1906. He was from a well to do Merchant family, however his fathers fortunes took a significant turn for the worse and he ended up a moody, nasty man and turned to alcoholism which he then took out on his family. Ibsen subsequently, only wrote about money and marriage as this was influenced from his own life. His plays were seen as scandalous to many of his era because they were always touching on sensitive subjects like human rights. This then influenced many other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, Arthur Miller and James Joyce. He is one of the founders of modernism in theatre. During his time, despite failing to achieve success as a playwright, he gained a lot of practical experience at the Norwegian theatre company.His play A Dolls House is a realistic drama that highlights the cultural conflicts of the nineteenth century. The play was very controversial when it was first published as it was sharply critical of 19th century marriage norms. Her ended up having to change the terminate of the original script because the leading actress didnt like the idea of having to act out abandoning her children. It also manifests Ibsens concerns for womens rights and human rights in general. This was widely considered as a landmark in the development of what would soon become a highly prevalent genre of theatre- REALISM. Realism was consequently realised. It wasnt however until the likes of Stanislavski came along that realism became so well known and loved.He wanted a sense of realism in his work and he wanted his actors to really connect with their character. In his eyes, the actors WERE the characters. He believed REAL ACTORS=REAL ACTING. We used Stanislavskis techniques to get into our roles when studying A Dolls House. We began with a focus exercise, lying on the floor and zoning out our thoughts. We then thought about our character and let their feelings overwhelm our own like Stanislavski would have got his actors to. We then connected with their emotions, felt how they felt and immediately after, acted out a short scene between Nora and Torvald. This helped us all enormously because got us to lose out inhibitions and focus only if on the story, situation and emotions of the characters.5) Discuss the Social, Historical, Cultural and Political content of the texts studied and compare the impact on an audience and on yourself as a school-age child of drama.In Metamorphosis, the social, historical and cultural background is made apparent in a number of ways throughout the play. Franz Kafka (the author of the original novel) took his inspiration for the characters from his own relationship between himself and his father. Unforgettable images of dislocation seem to represent both the madness of the modern world and his own desperate neurosis. Similarly, Berkoff wasnt very soused with his father. Practitioners like Bre cht and Artaud influenced his work- this is clearly visible in Metamorphosis as he took Artauds Theatre of Cruelty and gave it Brechts Epic Theatre attributes. Berkoffs own unique style created this play incorporating his personal passion of mime and the genre of expressionism. Acknowledging what I know about both Berkoff and Kafka, it is blatent that the Social, Cultural, Historic and Political aspects in cost of the two writers were their personal experiences of suppression from society, the culture they were brought up in (Kafka brought up in the a Jewish community and Berkoff brought up in the lower class and status he was born into by Russian Jews).Metamorphosis can be seen as a reaction against society and its demands. Gregors physical separation could represent his alienation and understandable desire. He was crushed by authority and routine and had been imprisoned by social and economic demands Just dont stay in bed being useless . . . It prevents the forthcoming rebellion of the son against the father. Gregor had become strong as a result of his fathers failure. He destroyed his fathers self-esteem and took over the fathers posts and duties indoors the family. After the catastrophe, the same sequence takes place in reverse son becomes weak, and father kills him.Gregor is shown as a symbol of anxiety and alienation who is a solitary character, isolated in his own mind from the community and true friendship (much like Kafka and Berkoff). Looking at where Gregors values were anchored servant to the needs of an dictatorial boss in order to meet the needs of a family that continuously exploits him. The metamorphosis was inevitable. Metamorphosis shows the views and attitudes of society. It isnt necessarily the one we live in today, but looking at it from a historical point of view it could have been representing the society in the nineteen hundreds (1915) when metamorphosis was first published. Kafka was born in Germany and could be referring to the ti me of the war, and how the Jewish communities were discriminated against.In A Dolls House, patriarchal ideals were supported and reinforced by a social structure in which women had very little political or economic power. They were economically, socially, and psychologically dependent upon men and especially dependent upon the institutions of marriage and motherhood. Motherhood within marriage was considered a womans highest possible achievement. It was a social responsibility, a duty to society, and therefore, a full-time job. Mothering was no longer something that came naturally, but was something that had to be learned. High infant death rate rates, particularly in urban areas, were solely blamed on mothers. Working class mothers were labeled neglectful, when in truth they struggled with both child care and feeding a family. The plot concerns the collapse of a middle class marriage. It sparked debates about womens rights and divorce. It was considered innovative and daring beca use of its focus on psychological tension instead of external action.It also created a new acting style that required emotion be conveyed through small, controlled gestures, shifts in action, and pauses and it was groundbreaking in that it caused drama to be viewed as social commentary and not just entertainment. For me, I think that these factors in both plays have different effects on me because in A Dolls House, the living situation is so much more common these days compared to the monstrosity it was back when it was written. I feel like I can however relate to Nora and how shes feeling because she is quite feministic like myself. I become quite confused when thinking about how Metamorphosis affects me because its obviously a very abstract play but I can empathise with Gregor and moreover Greta because she just wants to help her brother but the higher members of the family wont let her.